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Giovanni Francesco Guercino

1591-1666 Italian Giovanni Francesco Guercino Galleries

Gemälde ID::  1819

Die Erhöhung von Lazarus
1619 Musee du Louvre, Paris
der Musee von 1619 du Louvre, Paris
1591-1666 Italian Giovanni Francesco Guercino Galleries

   
 

 

 
   
      

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John Pynas

1583-1631 Dutch John Pynas Gallery

Gemälde ID::  3432

Die Erhöhung von Lazarus
1615 Philadelphia Museum of Art
der Philadelphia von 1615 Museum der Kunst
1583-1631 Dutch John Pynas Gallery

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Gemälde ID::  8777

Die Erhöhung von Lazarus
c. 1630 Oil on panel, 96.2 x 81.5 cm Los Angeles County Museum of Art, Los Angeles
c. das Öl von 1630 auf Unterausschuss, 96,2 X 81,5 cm Los Angeles Bezirk Museum der Kunst, Los Angeles
Born 1606, Died 1669

   
 

 

 
   
      

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Henry Ossawa Tanner

African-American Realist Painter, 1859-1937

Gemälde ID::  11733

Die Erhöhung von Lazarus
1896(Salon of 1897) 3' 1 1/2'' x 3' 11 3/4''(95 x 121.5 cm)
1896 (Salon von 1897) 3~ 1 1/2~~ X 3~ 11 3/4~~ (95X 121,5 cm)
African-American Realist Painter, 1859-1937

   
 

 

 
   
      

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Palma Vecchio

1480-1528 Italian Palma Vecchio Gallery

Gemälde ID::  29888

Die Erhöhung von Lazarus
mk67 Panel 37x43 5/16in Uffizi,Gallery
mk67 Unterausschuss 37x43 5/16in Uffizi Galerie
1480-1528 Italian Palma Vecchio Gallery

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Gemälde ID::  34417

Die Erhöhung von Lazarus
mk93 c.1630-31 Oil on panel 38x32in County Museum of Art Los Angeles
mk93 c.1630-31 Öl auf täfelt 38x32in Bezirk Museum von Kunst Los Angeles
Born 1606, Died 1669

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Gemälde ID::  34418

Die Erhöhung von Lazarus
mk93 1631 Oil on canvas 40 1/2x44in Brighton Museum and Art Gallery England
das Öl von mk93 1631 auf Leinwand 40 1/2x44inBrighton Museum und Kunstgalerie England
Born 1606, Died 1669

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Gemälde ID::  34580

Die Erhöhung von Lazarus
mk93 c.1630/31 Oil on panel 96.2x81.5cm Los Angeles,County Museum of Art
mk93 c.1630/31 Öl auf täfelt 96.2x81.5cm Los Angeles, Bezirkmuseumder Kunst
Born 1606, Died 1669

   
 

 

 
   
      

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Sebastiano del Piombo

1485-1547 Italian Sebastiano del Piombo Galleries

Gemälde ID::  42974
The Raising of Lazarus
mk170 1517-1519 Oil on canvas 381x289.6cm
1485-1547 Italian Sebastiano del Piombo Galleries

   
 

 

 
   
      


Gemälde ID::  52567
The Raising of Lazarus
c. 1455 Oil on wood, 122 x 92 cm

   
 

 

 
   
      

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Albert van Ouwater

Albert van Ouwater (c. 1410/1415-1475) was one of the earliest artists of Early Netherlandish painting working in the Northern Netherlands, as opposed to Flanders in the South of the region. [edit] BiographyHe was probably born in Oudewater, and is mentioned by Karel van Mander (1604) as a reputable painter at the time in which he lived.[1] According to Karel van Mander he was possibly a contemporary of Jan van Eyck and had been the teacher of Geertgen tot Sint Jans, though he was quick to qualify this statement with the eye-witness account of an old man named Albert Simonsz who had been a pupil of Jan Mostaert and claimed neither he nor Mostaert had ever even heard of this Albert van Ouwater or Geertgen tot Sint Jans.[1] Van Mander highly commends an altarpiece by Van Ouwater in the principal church in Haarlem, the Grotekerk or Sint-Bavokerk, representing St. Peter and St. Paul, in which the figures are carefully and correctly designed, and richly coloured.[1] Van Mander posits Van Ouwater as the founder of the Haarlem school of painting, making him the first major Dutch (as opposed to Flemish) artist. According to Van Mander, landscape painting was a particular specialty of this Dutch school, although none of Van Ouwater's surviving works exhibit this tendency. Van Ouwater seems to have been a contemporary of Dirk Bouts in mid-15th-century Haarlem, and Geertgen tot Sint Jans may have been his pupil.

Gemälde ID::  87262
The Raising of Lazarus
1455(1455) Medium Oil on wood cyf
Albert van Ouwater (c. 1410/1415-1475) was one of the earliest artists of Early Netherlandish painting working in the Northern Netherlands, as opposed to Flanders in the South of the region. [edit] BiographyHe was probably born in Oudewater, and is mentioned by Karel van Mander (1604) as a reputable painter at the time in which he lived.[1] According to Karel van Mander he was possibly a contemporary of Jan van Eyck and had been the teacher of Geertgen tot Sint Jans, though he was quick to qualify this statement with the eye-witness account of an old man named Albert Simonsz who had been a pupil of Jan Mostaert and claimed neither he nor Mostaert had ever even heard of this Albert van Ouwater or Geertgen tot Sint Jans.[1] Van Mander highly commends an altarpiece by Van Ouwater in the principal church in Haarlem, the Grotekerk or Sint-Bavokerk, representing St. Peter and St. Paul, in which the figures are carefully and correctly designed, and richly coloured.[1] Van Mander posits Van Ouwater as the founder of the Haarlem school of painting, making him the first major Dutch (as opposed to Flemish) artist. According to Van Mander, landscape painting was a particular specialty of this Dutch school, although none of Van Ouwater's surviving works exhibit this tendency. Van Ouwater seems to have been a contemporary of Dirk Bouts in mid-15th-century Haarlem, and Geertgen tot Sint Jans may have been his pupil.

   
 

 

 
   
      

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Geertgen Tot Sint Jans

Netherlandish Northern Renaissance Painter, ca.1460-1490

Gemälde ID::  87263
The Raising of Lazarus
1480(1480) Medium Oil and tempera on panel cyf
Netherlandish Northern Renaissance Painter, ca.1460-1490

   
 

 

 
   
      

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Bohumil Kubista

(1884 - 1918) was a Czech painter and art critic, one of the founders of Czech modern painting. He studied at the School of Applied Arts in Prague, but left in 1906 to study at the Reale Istituto di Belle Arti in Florence. He, Emil Filla, Antonin Prochezka, and five others founded Osma (The Eight), an Expressionist-oriented group of artists. Kubišta came to his individual expression gradually, at first he was influenced by the work of Vincent van Gogh and Paul Cezanne. He educated himself in in philosophy and optics, and studied colour and the geometrical construction of painting. Kubišta, like several other Czech artists of his generation, was strongly affected by the 1905 Edvard Munch exhibition in Prague. Together with Emil Filla he established the artistic group Osma in 1907. He worked in an Expressionist style until 1910, and exchanged ideas with German painters in Die Bre - ke. He also developed visual ideas learned from the work of Cezanne. His later style (approximately from 1911) was strongly influenced by cubism and expressionism. Expressionist elements, particularly his use of color but also his subject matter, immediately distinguish Kubištaes cubist work from that of founding Paris Cubists Picasso and Braque. He studied color theory, analyzing the harmonic and compositional principles of painters such as El Greco, Eugene Delacroix, Vincent van Gogh, and Edvard Munch. He also paid close attention to mathematical and geometric principles. Around 1911, he became acquainted with Jan Zrzavý and the artistic group Sursum. He died prematurely during the global 1918 flu pandemic which ravaged Europe after the First World War.

Gemälde ID::  90908
The Raising of Lazarus
Oil, canvas Dimensions 163,5 x 126,5 cm cyf
(1884 - 1918) was a Czech painter and art critic, one of the founders of Czech modern painting. He studied at the School of Applied Arts in Prague, but left in 1906 to study at the Reale Istituto di Belle Arti in Florence. He, Emil Filla, Antonin Prochezka, and five others founded Osma (The Eight), an Expressionist-oriented group of artists. Kubišta came to his individual expression gradually, at first he was influenced by the work of Vincent van Gogh and Paul Cezanne. He educated himself in in philosophy and optics, and studied colour and the geometrical construction of painting. Kubišta, like several other Czech artists of his generation, was strongly affected by the 1905 Edvard Munch exhibition in Prague. Together with Emil Filla he established the artistic group Osma in 1907. He worked in an Expressionist style until 1910, and exchanged ideas with German painters in Die Bre - ke. He also developed visual ideas learned from the work of Cezanne. His later style (approximately from 1911) was strongly influenced by cubism and expressionism. Expressionist elements, particularly his use of color but also his subject matter, immediately distinguish Kubištaes cubist work from that of founding Paris Cubists Picasso and Braque. He studied color theory, analyzing the harmonic and compositional principles of painters such as El Greco, Eugene Delacroix, Vincent van Gogh, and Edvard Munch. He also paid close attention to mathematical and geometric principles. Around 1911, he became acquainted with Jan Zrzavý and the artistic group Sursum. He died prematurely during the global 1918 flu pandemic which ravaged Europe after the First World War.

   
 

 

 
   
      

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Carel fabritius

Dutch painter (b. 1622, Middenbeemster, d. 1654, Delft

Gemälde ID::  97107
The Raising of Lazarus
circa 1645(1645) Medium oil on canvas Dimensions 210.5 X 140 cm (82.9 X 55.1 in) cyf
Dutch painter (b. 1622, Middenbeemster, d. 1654, Delft

   
 

 

 
   
      

Carel fabritius
Dutch painter (b. 1622, Middenbeemster, d. 1654, Delft
The Raising of Lazarus

        
 
   
 

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